(Re)Publication Day

The Broadway Books paperback edition of The Memory Of All That: George Gershwin, Kay Swift, and My Family's Legacy of Infidelities is on bookstore shelves now, with the official pub date being tomorrow, June 12th.  The new cover puts emphasis on the New York-ness of the story, complete with a not-quite finished Chrysler Building in the background. It also features a really terrific, slightly come-hither photograph of my grandmother circa 1928 in her leopard coat and a fetching cloche hat. Here's hoping new readers are attracted by the new cover!

The Music Lesson redux

This week, the new Broadway paperback of my second novel, The Music Lesson, was published. I am thrilled that my 1999 novel has steadily appealed to readers in more than a dozen languages and has been a perennial with book groups. The Picador paperback ran through eleven printings, and I am optimistic that the Broadway edition will have a nice long shelf life.

I am especially happy that Random House/Broadway are my new paperback publishers, with True Confections just out from Broadway, and with my first novel, Objects in Mirror Are Closer Than They Appear, scheduled to appear later this year, in July. It is a major big deal for a novelist to have an entire backlist in print. It's a terrific vote of confidence from the publisher, and I am grateful.

Portrait of a Marriage

The Arnolfini Wedding is a central image of my first novel, Objects in Mirror Are Closer Than They Appear, and it appeared on the jacket of the Crown hardcover in 1995. I still have a thing for that painting. There are many ways of reading this picture, and there are endless symbolic elements to decode, from the fruit on the sill to the candles in the light fixture. Among the various interpretations, the painting is thought to be a document, a record of the marriage depicted, with the painter, Van Eyck, appearing in the reflection as a witness.

My 34th wedding anniversary was on Sunday, and perhaps because of that, and also because I just saw the new cover image for the forthcoming Broadway Books paperback re-issue of Objects (Summer 2011), which is a fantastic design with a photograph and not this painting, I found myself wanting to look at the reflection detail particularly. Here it is.